Against Their Will – Will the Pressure Ever Stop?

As I rush to conform to the demands on my shoulders, two traits, perfect and quick, are holding me back! I feel the need to be perfect in my words and ideas so maybe, just maybe readers will get hooked and keep reading, or even better recommend the book to a friend who buys a copy and so on. You work every spare moment of every day (and night in my case), and just when you think you’ve got it right, something else causes you to stumble and question everything you’ve ever considered in trying to write, promote, and sell your work. Most any writer can relate to this unless he or she has superpowers and can bypass this obstacle!

Pushing forward to produce work worthy of selling, I keep desiring quick; quick results, quick rewards, and quick everything related to my goal of creating work worthy of being read. Yet, unexpected bumps come along, as they do for any writer working to get their work seen and appreciated. There seems to be some detail or issue about your book you never thought in a million years would be a problem. Deadlines get changed without warning, and new demands, insisting you “market yourself and your work” get added to the mix of stomach-churning, acid-burning stress that clinches your insides with anxiety and keeps you awake at night.

The person who can develop, find, or produce a cure for this will be worth millions to those who benefit from their cure! But, one cannot let his or her guard down once your work starts to get noticed. That’s just the beginning of deadlines, pressure, and stress. And, when it looks promising that it will be picked up by a publisher, don’t think you’re home-free just yet!

“Oh, we need a revised and edited manuscript by next week. You can do that, can’t you?” I groan just thinking of this. Then there is the other applecart upset of the week, “We can’t publish your book, this year. The budget isn’t big enough”, or “We need to see more interest in your book”. The clincher for me is, “We need someone who can invest more time and money in their project.”

Okay, this is just a glimpse of what it is like to try to make it in the world of publishing. Not all aspiring authors face this. Some are truly blessed to be noticed and acquired without jumping through a world of hoops and other obstacles. So, how do those of us not so blessed; those who feel as if they’re constantly vibrating from stress constantly streaming through their veins survive?

Survive, that is the word. And, it is one I’m still working to achieve. Somedays, I’m on a cloud, so elated that something promising happened that pushed me one step nearer my goal, that I can’t stop grinning. Then a day or so later, I’m as low in the dumps as one can be because that promise of publishing, or getting an agent, or a contract for a movie script all fell apart with little more than one big sneeze.

Ah, so is life. If one is not stressed through one aspect of their work, there is certainly another job that can produce even more stress. And when that wave washes over me I’m just as destroyed as I would be if it had been a giant tsunami.

Stress is not limited to aspiring authors. It happens to all of us at one time or another. It’s a fact of life. How we survive it, is by our perspective on the big picture. Sometimes we have to give ourselves permission to fail, learn from it, and move forward with revisions made to our game plan. If we want something bad enough we won’t give up. If we do throw the towel in, then we believe we aren’t worthy of the reward of what we were chasing.

For me, all this is true. But, I do have one person who’s on my side, who truly cares for me and wants only the best for me in all things. And, in my love for Him, I am grateful that He sees a much bigger picture than I do. The fight is all in His ability to get me to see, hear, and listen to what He wants. For, He alone knows what works best, both in the plot and in life.

Who is He? Jesus Christ, my Lord and my Savior. In the end, it will all work out according to plan and it will be good.

Against Their Will – the beginning

Against Their Will – Prologue

Infernal stoplight. Could it take any longer to change?

Sweat dripped down Max Duncan’s back and dotted his brow. It soaked through his formerly pristine shirt and left stains under his arms and on his collar. Cars swept past, slinging stifling, muggy Houston air into his face. He wanted to slap it away. Instead, he shifted from foot to foot.

“I ain’t got time for this freakin’ . . .” A string of obscenities slipped out under his breath. He glared at the crowd pressing against him, pushing and nudging him. He bared his teeth as if he were a lion ready to pounce and rip the entire throng to shreds. Then, he thought of all the germs, the stink, and the sweat that would contaminate him, and he pressed his lips together in a solid line, as if they could be a protective barrier from the totally sub-perfect world bumping against him. 

The temperature rose, heat bearing down on him with such intensity that he was certain a giant magnifying glass was over his head, concentrating the sun’s rays on his scalp. When the signal finally changed, Max pushed through the crowd so that he led the pack as he raced across the scorching pavement.

On the other side of the street, he stopped in front of the bank’s wall of windows. His reflection stared back at him from the tinted glass. With a stubby forefinger, he dabbed at a smudge on his forehead. Lately, it was as if the years were melting away, like a river birch’s curling bark peeling away to reveal the pristine white trunk beneath. If it weren’t for that hideous tag of skin growing under his jaw, he could be on the next cover of People’s “Sexiest Men Alive” issue – but that tag. It had only appeared recently. It was just a flap of extra skin, ridged like a gill, but with no color. He shrugged. Youth and energy, why they were the two greatest forces in life. They were all that mattered. He had been blessed with a lot of each lately. Although he didn’t understand why or how, he didn’t care. Max never questioned the generosity of any giver.

He glided through the brass-trimmed doors of the old bank and into the cavernous marble-floored lobby. He sniffed. Despite artificially cooled air, he could smell it- money, old money. It was like slipping into a favorite pair of jeans, comfortable, comforting. Odd, he didn’t remember being around it before.

At the teller’s window, Max pulled a sheet of paper from his pocket, glanced at it, and then said,  “I’m here for Gerald Humminger.”

There was a momentary pause as the woman glanced up at Max and narrowed her eyes. After a few seconds, she said very stiffly, “May I tell him who wishes to see him?”

Max patted his tie. “Yeah, you can tell him Max Duncan is here.”

Soon, a tall gentleman in the dark, cut-to-perfection uniform of the business world approached and extended his bony hand.

“It’s Max now, is it?” Gerald Humminger grinned. “What a pleasant surprise! I certainly didn’t expect to see you again, at least not so soon.” He gripped Max’s elbow and spoke close to his ear. “But, I must say, you’re looking better than ever – at least ten years younger. You must tell me about this youth potion you’ve obviously discovered!”

Max’s fat fingers encircled the man’s bony ones as they shook hands. His brows knitted into a frown. Who was this guy?

Moments later, seated in a leather chair in Humminger’s office, Max studied the man. How could Mr. Humminger be surprised to see him again? He was certain he had never met the lanky banker before.

As the thought traversed the neural pathways in Max’s mind, a small chisel started hammering inside his skull. The throbbing was moderate,  just enough to make Max grimace. He pushed the heel of his hand against his forehead.

“Are you all right?” Gerald leaned forward and squinted. Max nodded. “Want some ice water, perhaps, something stronger?”

Max shook his head.  “No . . . thanks.”

“Well then, what brings you here today? Last I heard, you were in some federal prison. It seems something was said about an inmate stabbing you.” Humminger giggled. “I believe it was with a fork! Even heard you didn’t make it. But, it looks like you not only resurrected yourself, new name and all, but you shaved a few years off while you were at it. If it wasn’t some magic youth potion, then it must’ve been one incredible plastic surgeon!”

Max stared at Gerald, his expression blank. Who was this man that he even cared what Max looked like? It was none of his business, except Max couldn’t deny the slight pleasure he got from the envy the other man held toward him.

Gerald’s smile faded. “Look, we’re old buddies. I’ve held your hand through the worst of them. This room is safe. You can tell old Gerald what’s really going on.”

“Going on? Nothing’s going on. I’m fine.” Max shifted in his seat. He pulled a handkerchief from his pocket and swiped it across his forehead. Then he glanced at his watch. “Look, I need to make a transfer. I’ve got to split twenty million between three accounts. One’s in the Grand Caymans. The others are in Switzerland.”

“Twenty million? You have that much left? I thought our ‘I-feel-your-pain’ uncle took all your possessions. IRS and all.”

All his possessions? He was simply transferring money on behalf of his new employer.

“It’s not mine,” Max said as he pushed a sealed envelope across the polished desk. “It’s my employer’s. The authorization’s there,” he added, pointing to the envelope.

“New employer, huh? You not only flirted with death, cheated and won; you’re also not wasting any time getting new work, are you?” Gerald tore open the envelope and quickly read the single sheet inside.

“Says here this is your money, and you want it split between three accounts opened nearly five years ago.” Gerald dropped the sheet and stared at Max. “Want to tell me the real truth? What’s going on, Milo?”

“Milo?” Max frowned. “I tell you, nothing’s going on. Never in my life have I had money like that!” The chisel in his skull morphed into a jackhammer.

“Milo, Max, whatever. You’ve never had that little money in your life. You’re used to handling many times more than a paltry sum of twenty million. You controlled accounts the world over. The Grand Caymans was just play money. That’s why you can’t remember!” Gerald grinned as he patted Max’s shaking hand. “Sure, it must be hard giving up what you had. Looks like you’re on your way back, though. Pull a few wise investments, and in no time, you’ll have all you had before plus some.”

Max tried to swallow but couldn’t. So much saliva had accumulated it threatened to overflow and dribble down his chin. Without warning, a wave of nausea slammed into him, sending a fresh sweat river down his cheeks. Yet, he managed a smile as he nodded at Gerald.

“Very well.” Gerald stood. “You must sign the proper forms and all that. You know the routine.” He rounded the desk and started for the door. “Just sit back and relax. I’ll get my secretary on it right away.” The door shut behind him.

Max started shaking. He felt like a leaf whipping around in a storm, and he couldn’t stop himself. Ringing echoed in his ears. A frantic urgency pushed and pulled at his insides. He got up and started pacing in front of the wall of windows. He felt like he would die if he stopped moving. On the street below, traffic and pedestrians flowed. Heat shimmered off the pavement. Max stared at them and wondered why he envied them.

Gerald returned, breezing through the door with a small stack of documents in hand. 

Max spun around and hurried back to his seat in front of Gerald’s desk. He pointed at the papers. “Where do I sign?”

“Just like every time before, wherever you see yellow highlighting.” Gerald pointed at the various blanks. “These forms authorize this bank to move the money you requested to the accounts you specified, and so on and so on. Soon as they’re signed, we’ll enter the instructions and wait for confirmation. It shouldn’t take more than a few minutes.”

The signing completed, Max shoved the papers back over to Gerald who then took them to someone waiting outside the door. As suddenly as it had come over him, Max’s urgent energy vanished. His muscles, no longer tight and hard, crumpled into a limp mass. Yet, the pounding in his head jumped to double-time. He had to get out of there. He didn’t know why; he just had to do it. Right then. Aiming for the door, Max staggered as the room tilted and then straightened.

Gerald gripped his elbow. “What’s your hurry?” He bent over so that he could peer into Max’s eyes. “Are you all right? You’re looking a little pale. Sure I can’t get you something?”

Max focused on Gerald for a moment, and he realized suddenly he didn’t know why he was there. Max shook his head, unable to answer.

A young woman in a form-fitting suit pushed through the door and smiled. “Mr. Humminger, the confirmation just came back. I’ll have the hard copy in just a moment.”

“Thanks, Bonnie, dear,” Gerald said. His eyes lingered on her shapely form, and she glared at him as she backed from the room and slammed the door.

The pounding, the ringing, the nausea, all of it closed in on Max. He lunged for the door and reeled through it.

“Wait! You don’t have your papers!”

“I’ll . . . get them later.” Max rubbed his temple furiously. Without warning, he gagged, but only saliva streamed from his mouth. He managed to push through the door and half ran, half staggered toward the elevator.

Once inside, he leaned against the wall and panted. Swirling images crept across his vision, distorting the light and the area around him. When the doors opened, he nearly fell into the arms of a waiting woman. Instead, he caught himself and stumbled past her, aiming erratically for the outer doors and the bright light beyond. If only he could make it to the light.

The pounding and ringing intensified, shutting out all sound. Desperate to stop the pain, he pushed his palm against his ear and then pulled it away and stared at it. It was warm and sticky, dripping with bright-red blood. Max stumbled forward. He didn’t hear the shouts behind him or car horns blaring before him. He just searched for the light. He pushed his feet faster, desperate to find it.

When Max finally found his light, he didn’t see the car to his left. He couldn’t feel the crunching and cracking of his bones, the scraping and tearing of his flesh. His world wobbled and spun, dragging him with it. By the time he hit the pavement, it was black. The ringing stopped, and the pounding slowed. Thump … thump … thump … thump …

The newscaster’s professionally bleached teeth filled the television screen.

“In downtown Houston today, a tragic accident took the life of billionaire, former federal prison inmate, and allied Mafia kingpin, Milo Dolnia. Eyewitness accounts vary, some saying Dolnia was holding his head, with blood running through his fingers prior to staggering into the path of a speeding car in the one-hundred block of Louisiana Street. Others could not confirm his injury but saw him moving erratically prior to running in front of the oncoming vehicle. Dolnia did not respond to shouts or car horns. No charges have been filed s this time; however, an investigation continues. Dolnia was the focus of a recent controversy after being released from Bastrop Federal Prison after serving only a small fraction of his sentence for tax evasion and fraud. He …”

The petite, flame-haired woman hit the “off” button on the remote and threw it on her desk. Hands on her hips as if she were the steel-plated superhero, she whirled about to face the towering, almost superhuman-looking man entering her office. Despite the white lab jacket covering a starched shirt and silk tie, he looked more like a professional wrestling star than the genius he was as tested on the Wechsler Scale.

“Did you see that? Did you?” The woman’s voice rose. “They just won’t leave it alone, will they? They’ll do their investigations, prodding and poking until their brains freeze over. Why can’t they believe it was an accident and leave it at that?”

“Whatever are you worried about, Cherie?” The tone of the man’s voice was mostly neutral, except for when he pronounced her name. It was drawn out like a long, soft caress. She might have wondered about him, his heritage, if indeed there was some French ancestry there, but she was too preoccupied to consider his bloodline. More important issues related to blood kept her focused.

“Even with an autopsy, all they’ll find, beside broken bones and contusions, is a subdural hematoma, a small intracranial hemorrhage. They’ll assume that’s what caused him to run blindly into the street. Believe me; they will never know the truth.”

“I hope you’re right, Charles. For all of our sakes, I hope you’re right.”

“Why do you doubt, Cherie? Do you not believe me when I tell you of our progress, of our achievements? We have attained the unthinkable, things so unbelievable that if one did not witness them personally, one would never believe them possible. Yet, you have see it all, firsthand.”

Cherie’s lips curled into a self-satisfied grin as she rubbed her hand along his thick arm. “Oh, I know, Charles! It’s just I get scared sometimes. We’ve worked for so long on this, put so much into it, that to consider any setback now when we’re so close … well, it just curdles my stomach! You’re right; we’re almost there. I mean, Milo authorized that transfer of twenty million, not even a question asked! Think of the implications!” A low, guttural laugh rose from her throat.

“Implications?” Charles shook his head. “What is means is we still have not solved our problem. We still cannot determine why they succumb at exactly the same point.”

“So who cares if they fall over? At least we can get them to do our bidding first.” She licked her lips. “Charles, consider the potential. We’ve stumbled onto something that could be even more productive than you silly little cures. Why not use it?”

“Silly little cures?” His voice clipped the air with a cold, steel edge. “I thought what mattered most was not to make them our puppets but to perfect the miracles, to give them hope. Is that not the goal, what we are all waiting for, hope?”

Cherie rubbed her chin. “I suppose you can have your hope. Pity, though. We’ve proven the potential. It would be a shame to waste it.”

“Waste it?” He backed away from her. The air between them had become charged. “No, it would never be wasted, but we desperately need fresh blood. Somewhere, there is a person holding the right DNA key, the right genetic blueprint to give us what we lack. When we find that, then we have success. We can give them our miracles and keep them alive.”

Cherie rubbed a red-painted fingernail slowly across her plump lips. Her eyes narrowed as she studied him. In a low, seductive tone, she said softly, “Charles, you will find your success. I know you will. In the meantime, though, we can have some fun, can’t we?” She moved behind him and began to knead his shoulder muscles through the cloth of his lab jacket. As her fingers poked and prodded the tight muscles, she smiled her trademark Cheshire grin.

“Yes, Charles, we’ll have our fun, and you’ll solve your problems. You’ll get what you need, and you’ll be happy. I will be too, for you will have given me what I’ve searched for, no, longed for all these years. I’m banking the reputation of our entire project on your promises, and you know to whom I answer.”

Charles spun around so that his gaze met hers. The heat seemed to shimmer like pavement on a hot summer day. He nodded and said quietly, “I am well aware of the power behind you. But I cannot produce your miracles, or your puppets, without help.” Not waiting for a response, he spun sharply on his heel and hurried from the office. The door slammed behind him.

Cherie crossed her arms and stared blankly at the door. Slowly, a smile spread across her face. “Good,” she said, though there was no one to hear her. “Glad you understand.” 

Plopping into her swivel chair, she kicked her feet out, and with a soft “Whee!” she spun it once before pulling it up to her desk. She picked up the phone and punched in a few numbers as she muttered to herself, “Now for that little matter of genetic variety.”

Conspiracy Theories – Everywhere?

Admittedly, I love conspiracy stories; either in book form or big screen. I can’t seem to get enough of them, so I guess it’s not surprising that is my favorite writing genre. With a very divisive election behind us and polarized masses, I think it has become even easier to envision a conspiracy on any number of levels.

So what makes for a good conspiracy? I believe it must have components that the reader can either relate to, or believe could be easily set in motion. Simply, it is taking something from our everyday lives and giving it a sinister shading or background.

My personal area of interest is the field of medicine. Given this, there is a lot of potential fodder in that category. There are the cries against GMO’s, chemical alterations in plants, added substances to food items, the growth of Big Pharma, and testing on pharmaceuticals that may not be totally ethical. My novel, Against Their Will dealt with ethical treatments and practices on unsuspecting patients.

There is also the component of money in medicine. Corrupt practitioners who may push a treatment on a patient, not for the best interests of the patient but more for the financial or other benefit of the practitioner is one area with potential. Other possibilities could include harvesting organs for the black market, or even the legitimate market but with non-legitimate means. Just think of motivating factors to obtain the end result, money or power, and you’ve got a story in the making.

Power and money are just two examples of motivators for characters. What other things could define your character and provide motivation for them? Is it love? Or, acceptance, or even hate that pushes someone into action?

The blank page is your canvas so they say. But sometimes we need a nudge to put something on that canvas. Think of what motivates you and what you would be willing, or even unwilling to do? There you have a beginning for a new character!

Happy writing, everyone!

Emerald Beach a novel by Nancy Livingstone

Against Their Will by Nancy Livingstone

 

 

 

 

Web Conspiracies Everywhere? –

Just because a building looks official or imposing, does that mean everyone it represents is honest and trustworthy?

Just because a building looks official or imposing, does that mean everyone it represents is honest and trustworthy?

If you’ve read my book, Against Their Will, you know I’m into conspiracy stories. When the first stirrings of ideas for the book formed in my brain, it was still a bit inconceivable that normal, everyday citizens should ever have to worry about any type of conspiracy, much less ones government induced.

Now after the advent of Edward Snowden, the NSA, WikiLeaks, Drone spying, claims that vaccines harm us and that Wal-Mart is closing stores in the Southwest to make room for Chinese troops to come train on US soil and more, it is much more conceivable that things might be going on that we don’t really want to know are going on.

Granted there are all sorts of ideas floating on the web about who did what to whom. I will admit, some make a lot of sense. Others are discredited almost immediately when I see a lack substantiation or proof as to what the writer is claiming. Merely “preaching an idea” does not necessarily make that idea true. Nor does a credible looking website that states something is true without facts or references to back it up really mean that what is said is true.

Jazzy web-designs, easily obtained today in numerous places, can make a site credible looking. Formats that appear to be news-worthy can draw in visitors quite easily, and if the content is presented in the right manner, can even deceive the reader into believing all that is said is true.

This just emphasizes the ease with which a modern day web-surfer can be misled or down-right lied to. Fiction belongs in a book that is labeled as fiction and not pushed on the public in ways that deceive the reader into believing they are true, or fact.

Have I been stung by truthful-looking web-sites? Maybe. . . But, despite what I think about what I read on the web, I will say, there is an abundance of material out there that churns up a pot-full of ideas for plotting my next novel. No doubt, there is probably enough truth mixed in with the screaming headlines and provocative intros that even those ideas that are not true, may certainly seem true.

What’s good about all this? Well, this makes the beauty of fiction writing all the more alluring. It doesn’t matter! A fiction writer can craft just about any story, and given a few exceptions, never have to prove its merit or truthfulness!

But, as with all things, moderation is key. It all depends on the story being told and the audience to which it is pitched. Still, the internet makes for one huge world of interest just waiting to be manipulated into a best-seller. Thriller style!

Are Your Bad Guys Bad Enough?

Most people don’t like bad guys. After all, they spend their real or fictional lives antagonizing others or themselves!

The epitome of a "bad guy" stage!

The epitome of a “bad guy” stage!

Bad guys make us sit on the edges of our seats, get sweaty palms, or even raise our heart rates. But are they really necessary for a good story?

YES! It’s been stated many times that conflict makes a story engaging or engrossing. What better way to create conflict than to have a bad guy antagonizing our hero. The greatest thrillers use this model and even dramatic stories successfully incorporate the bad guys into the plot line.

I’m a fan of Diana Galbadon (The Outlander Series and Starz Network Show). She has successfully created a number of bad guys that really set my teeth on edge and make my fingernails grow a couple of inches; all the better to claw their eyes out with! I hate the bad guys. I want them dead, gone, kaput! But, if they left the scene right away, what consequences would ensue? Sure, the protagonist would be “okay” but, would the story be as interesting if there was nothing to fear or be angry about? Would the reader really want to continue reading?

Not all stories use human characters to facilitate the bad guy persona. While many do, many authors are quite adept at using events and inanimate objects to antagonize the protagonists. A hurricane, health scare or disease outbreak, or financial crisis are just a few situations that are “bad” and can do much to facilitate character development and story interest. Situations a reader can relate to also help to grow interest and empathy from a reader. An author is not limited to human, breathing bad guys, but objects and events can be drafted to do the job.

I must admit I love “pulling the chains” of my “bad” characters. It is fulfilling, at times, to inflict emotional and/or physical distress on them. No, I’m not a sadist! But, writing in this manner is a great release of frustrations in my own life. I find it very cathartic and liberating. However, it is also rewarding to let some bad guys find redemption and become someone who is forgiven, loved, or even a savior of the protagonist. Either scenario, letting the bad guy stay bad and resolve the issues encountered with tragedy or letting him or her change and resolve the story in a more positive note make for writing that is captivating.

And if it makes for a best seller, all the better!

Until next time . . .

Making Characters Work for You

Oh what to eat first! Just more food for thought!

Oh what to eat first! Just more food for thought!

We’ve discussed memorable characters and briefly touched on some of the qualities that make them work. But what really makes a character work in a story, movie or book?

For those of you who watched the tv series, Breaking Bad, you’ve seen great characters at work. The series has characters you can relate to; love, hate and even feel sorry for. But, if you were really into the series, you can say one thing, there is no character there that does not elicit some type of reaction from the viewer. Hmmm, wonder why that is?

In dissecting the issue, let’s look at some of the character traits. Walter White is faced with a life threatening situation. He also is strongly motivated to provide for his family. He’s so motivated that he is willing to do just about anything to accomplish his goal. In seeking that goal, he goes out on many limbs and does things that no one, well at least most anyone would ever expect of him.

Then, look at Jesse. He is also pulled into Walter’s world and while his motivations are drastically different, he embarks on a journey with Walter that changes him profoundly. They have conflict, dramatically different views on many things, but as they progress through their journey together, they also learn how the other looks at things. Even when they disagree, they slowly develop a semblance of respect for the other.

Okay, so I’ve oversimplified things – I didn’t want to do any “spoiling” for those who have not seen the show. But, these characters are very complex. There are no simple solutions to their dilemmas and their motivations are not all about any one thing, but arise from different layers in each of their lives. They are not one-dimensional, but multi-faceted. They can feel sympathy for something simple or complex. They can react with rage over big or small events. They can withdraw or lash out because of situations encountered. And all of these things can create tension; between the characters and between the characters and events, or objects, that create some dissonance in their psyche.  All of these add interest and tension.

Interest and tension. One creates the other. Create tension between two or more characters and interest blooms. Create even more tension, distress, conflict, or whatever to put characters at odds with each other or their environment, and interest grows. Interest keeps the viewer and the reader engaged.

Much has been said about making sure characters encounter conflict. It is true that this is the basis for tension which is what keeps people on the edges of their seats, or as an author wants more than anything, readers turning the pages!

Food for thought and hopefully, a little stirring of the juices here! Until next time – happy writing!

Memorable Characters?

I love books, tv shows, and movies that develop characters that I can relate to one way or another.

Even characters from different centuries have the same basic needs as we do. Use that to make relatable characters.

Even characters from different centuries have the same basic needs as we do. Use that to make relatable characters.

As humans we love knowing we’re not alone. Seeing someone in a situation similar to one we’ve experienced, or in one that we’re glad not to be experiencing, helps us to develop empathy for the character. When we connect in such a manner, then most anything that happens in the story becomes interesting as we become eager to see how that character responds, or even survives.

In Against Their Will, I tried to make the characters human as we all are while instilling thrills, suspense and even some dreams into the equation. Who wouldn’t want to have success in Hollywood and garner fame and fortune from doing something one is driven and loves to do? Who wouldn’t want to have a charming and attractive hunk seek us out and devote his resources to saving (us) our female character?

So, I wrote about the things I like in a story! Fast paced, suspenseful, a little romance tossed in and the fear and rapid heart-beat of not knowing who or what is after our protagonists.

Lynn McCane is a strong-willed but beaten up reporter who has had more than her fair share of hard knocks tossed her way. She’s fighting to survive in more ways than one. Don’t we all? Matt Grayson is riding the rocket to blazing stardom and yet, he’s most concerned with the more important things in life, family, legacy and ultimately love.

Oh, I know a lot of this is wishful thinking; to have these things in life. But, I believe the human condition is made up of hope and looking for better things, and by giving these to the characters while putting them through the ringer is a way of capturing readers’ attention.

Not everyone likes this kind of story. I get that. But, the process of building characters so they can be related to, appreciated, sympathized with, and even hated, draws the readers’ emotions into the process and an emotional tie is hard to break.

My challenge to you, and to myself, is this; think hard and long about how you can make your characters relatable to your target audience. Not every audience will relate to your characters and we all like and are attracted to different personality types. So if one person doesn’t like your characters, it’s not the end of their world or yours. It just means that person does not represent the target audience you want to write for. And that is okay!

What can Book Clubs do for you?

Books of every genre can be promoted at a book club.

Books of every genre can be promoted at a book club.

Many of you may belong to book clubs, others may have utilized their exposure to boost name recognition and sales.

I recently made myself available to book clubs as a speaker and guest. It remains to be seen how profitable this will be (not just in sales made, but in gaining more exposure to future readers), but regardless, I think it will produce some helpful insight in how readers look for books, how they digest them and what they are looking for in a book.

I know, I know, we’re creative types, but business intrudes into our fantasy world, especially if we want to keep creating those fantasies for others to read. So, I feel this is a viable tool to help us research hot topics, see what is “happening” with readers as well as get a little much needed recognition.

Most of all, I would love to hear from others about his or her experiences in dealing with book clubs. Do you feel it is worth the time or effort? What did you find to be the best or the worst experiences?

Thanks for your insight!

Happy reading and writing!
http://bookclubreading.com/against-their-will/

 

Books waiting to be autographed.

Books waiting to be autographed.

Winter’s cold or Frigid air with swirls of frosty breath that left ice crystals on his beard that soon became icicles – Huh?

As I write this, it is spitting out the first winter precipitation for our area (North Carolina Piedmont). We tend to get overly excited over just one flake or ice pellet. The bread flies off the grocery store shelves with just a hint of winter in the forecast. Milk is equally in high demand. We all learned that lesson several years ago when we had a whopper snow that kept all of us in our homes for ten days.

A rare event in NC - enough to clear grocery store shelves!

A rare event in NC – enough to clear grocery store shelves!

Okay, I know all of you who live in colder climates are laughing at us. And believe me, even we who are snow starved cried in sympathy with the folks in Buffalo over the excess snow they had earlier this season. Too much of anything is bad, just as is too little. Which brings me to my point; what does this have to do with writing?

I recently read an excellent blog about the proper amount of description to use when developing a story, characters, or setting. There were points made on both sides of the issue; all of them valid.

For me, less is more. I believe in the reader’s ability to fill in the details according to their take on the written word. Now, I’m not talking basics here. We all need to know the character’s sex, age, location setting, and basic personality traits. But beyond that, what is needed?

There is a very prolific author whose stories I enjoy. But, I’ve noticed that in more recent books, some of the descriptions are overkill; way too many words to describe a relatively unimportant action, or trait. And that is when I start skipping pages to get on to the meat of the story.

There is another prolific author that I also enjoy reading and this person has a skill I truly admire; that of minimal description. With one or two words, this author paints a complete picture that I can not only see in my head, but feel as if I know the character or scene in question.

So, which way should an author go to be successful in writing? My preference is obvious. But, what about yours? Next time I will discuss some ideas about developing one’s descriptive skills. Meanwhile, I hope each and every one of you has the best Christmas holiday ever and a New Year filled with the best of the best of God’s blessings!

Twelve Gifts for Writers

Give them time – Writers get pressures pushed on them all the time by those who either don’t have a clue or who sit in judgment as to what they really fill their time with. Give the gift of time to your writer; be considerate. If you want or need them to do something besides write, ask with hope and genuine understanding that you know what they’re doing is important.

Image courtesy of cescassawin at FreeDigitalPhotos.net

Giving precious gifts to others doesn’t always require money or gift wrap!Image courtesy of cescassawin at FreeDigitalPhotos.net

Give them understanding – Even if you don’t know what it’s like to be under a deadline, or the pressure of being creative, let them know you are trying to understand. Writers work as hard as anyone else, but because they usually do it on their own time, not their bosses time, so many people jump to erroneous conclusions that they must be lazy or really don’t have work to do and then make erroneous judgements on the writer’s work ethic.

Give them reasonable expectations – Just as we all struggle to fit everything that is demanded of us into our days, writers do as well. How we communicate to writers about what we want or need determines the level of pressure the writer feels in meeting those unspoken expectations.

Give them encouragement – Encourage them in their work. Even if you don’t understand what it is like to be a writer, let them know you’re supportive and are wishing them the best. Writers need encouragement, from those who write and those who don’t.

Give them space – Don’t constantly ask them to go to lunch, or to this event or that function. This is not to say writers don’t need a break. But if you ask and the answer is no, let them know you understand. Reaffirm that you would love to get together but on their time frame.

Give them help with daily chores or duties – If you are the spouse of a writer, or even the roommate of one, help them out when they are deep in the middle of a tangled plot line and can’t stop to put the dishes in the dishwasher. They may lose that all important train of thought that solves the mystery of the primary characters!

Give them peace and quiet – If your writer works while you are in the same space, try to be considerate and let them have few to no distractions while working. Compromise is the great truth to this scenario. And it can go both ways. By giving your writer some space, you’ll most likely get consideration as well. When that big game is on, shouts and screams for your team won’t get snarled at – unless your writer roots for the opposite side!

Give them protection from distractions – If your writer is busy at work and the phone rings (yours or the home’s) don’t wait and make the writer get it. The same goes for if someone is at the door.

Give them your ear – Listen to your writer. Encourage them to talk about their plot, or their characters. Don’t be too eager to jump into the conversation but rather encourage them to talk by asking questions, or for clarification. This is helpful in it gets the writer to think about his or her work and can often led them into new insights on their work.

Give them your support – Support is really one that sums up several of the other items. But it also includes being their for your writer when they get that 100th rejection letter, or they inadvertently lost everything from chapter 15 due to forgetting to hit the “save” button. Sometimes writers, like all of us, just need to know someone else stands on the same side with them.

Give them your honesty – If you are asked to read a portion of the writer’s work; be honest. Being honest is telling the truth but with love/gentleness and so on wrapped around it. Like, “Gee, I know you’ve been working so hard on this piece, but for me, I just don’t think the male character is a good fit for your protagonist. I envision something more like. . .” Cushion the criticism by making it only your opinion and stating your preferences, not what you think it should or should not be.

Give them your unconditional love – Finally, give your writer some love. When we hear the word love, we usually think romantic love. But, there are many more types of love to give and receive in life. While you’ve been encouraged to give honesty, support, your ear, encouragement and space to your writer friends and family, more importantly, you can give them your unconditional love. This means that no matter what he or she does, you will still love them. This makes a safe place for anyone to retreat to whenever the world gets too rough or sour and one needs to “lick their wounds” and retreat. Loving someone unconditionally means that no matter what they do, they can be forgiven and not lose their standing with the person who is doing the forgiving. This type of love has almost become a foreign concept in today’s world. But, many years ago, Unconditional love was born in a lowly manger, born to take on all the bad things each and every one of us does in our life time. And there is nothing we can do to earn His love and forgiveness. It is given freely. Once we accept this free gift of forgiveness, we learn that we are loved, no matter what, and that is the most liberating gift anyone, not just writers, can receive.

Merry Christmas and don’t just give these gifts to your writer, but to anyone in your life.