What can Book Clubs do for you?

Books of every genre can be promoted at a book club.

Books of every genre can be promoted at a book club.

Many of you may belong to book clubs, others may have utilized their exposure to boost name recognition and sales.

I recently made myself available to book clubs as a speaker and guest. It remains to be seen how profitable this will be (not just in sales made, but in gaining more exposure to future readers), but regardless, I think it will produce some helpful insight in how readers look for books, how they digest them and what they are looking for in a book.

I know, I know, we’re creative types, but business intrudes into our fantasy world, especially if we want to keep creating those fantasies for others to read. So, I feel this is a viable tool to help us research hot topics, see what is “happening” with readers as well as get a little much needed recognition.

Most of all, I would love to hear from others about his or her experiences in dealing with book clubs. Do you feel it is worth the time or effort? What did you find to be the best or the worst experiences?

Thanks for your insight!

Happy reading and writing!
http://bookclubreading.com/against-their-will/

 

Books waiting to be autographed.

Books waiting to be autographed.

Authenticity and a Pinch of Nutmeg

Cooking on Hot Rocks added that special touch for an outstanding dish.

Cooking on Hot Rocks in Germany’s Black Forest added that special touch transcending ordinary to memorable.

In the world of writing, I wonder if other writers feel as I often do – does anyone really care what I write? Does it matter in any way? Granted, my writing is crafted to entertain, maybe to make one think a little, but mostly to entertain. In that vein, if one is just entertaining, how important is it to get every fact right, even if used in a strictly fictional sense? How accountable are we to uphold the facts if we’re spinning a purely fictional story? I honestly don’t have that answer.

My husband gets on my case when I fret over such things as having it “just right”. He says,”So, one person out of a hundred might catch that you described something a little differently than from what it actually is. The other 99 won’t know the difference.” But, I do.

I enjoy reading authors who research and get the descriptions right, or use real experiences, events and history to develop a compelling backdrop for their characters. To me, it gives the story an additional element or layer of authenticity.

Patricia Cornwell is known for her in-depth research in her writing. Whether it is a detailed description of a hand gun or an obscure locale, her reputation for authenticity in her writing is what I find thrilling when reading her books. Granted all writers have to fictionalize locations, places, even events to fit the story and this is fine. I do love it, however, when the author acknowledges this to let the reader know just how authentic (or not) the background of the book is.

I really admire Diana Galbadon’s work. She has a special gift for drawing the reader into the Scotland of the 1700’s with visual, audible, and even sensual descriptions. The fact that the history she weaves into her story is based on truth makes the story even more exciting. The authenticity gives credibility to her characters and draws the reader in. Just look at her great success – a Starz TV series, tours to Scotland based on her books – who could want more from their writing efforts?!!

All this is to say, I believe added authenticity to writing is like the pinch of spice that makes a good dish great. It is that little added pat of butter that adds a sweet crispness to a crust or a dash of fresh nutmeg in a dish that brings out all the flavors without distraction. It may not stand up on its own, but added to the other ingredients, makes the whole truly outstanding.

PS Yes, I am a fan of Rachel Ray!

I Gave up on Traditional Publishing – Am I Crazy?!

Sales, Sales, Why am I so Stressed?

Sales, Sales, Why am I so Stressed?

More and more authors now agree that traditional publishing is not the same lofty goal and heavenly realm that was held as the ultimate achievement for one wanting to write the great American page-turning book. It no longer guarantees success for the author, or that a published author can sit back and watch her bank account grow daily. With the exception being that known authors get more, most authors on a traditional royalty paying program, especially those first time writers, receive often paltry payment, the sums sometimes as little as cents on the dollar earned. So, what is a new author to do?

Okay, I have to ‘fess up. I’m one of those authors who left “traditional publishing”. Gaining my independence wasn’t entirely stress free, however. I was chided for “daring” to leave the structure of the traditional program. I was told I was crazy to give up guaranteed publication. There was no mention of guaranteed sales, however! And that was the kicker. I had little to no control over the cover, the design or editing. Despite begging for changes and pointing out mistakes, etc., it seemed nothing happened to rectify these things. So, I jumped and made the plunge into the turbulent waters of doing it on my own.

I have control over all aspects of my work, from cover, to fonts, to design, to even how long I keep it in print. I decide how it is released and how it is promoted. Going independent opened up new horizons for me. I began to see the book selling world differently and slowly learned that getting pushed outside one’s comfort zone wasn’t a bad thing. What I was doing was for me and my success, not someone else’s.

Okay, so those are the positives. There were negatives as well. Like so many writers, doing sales was and still is “not my thing”. Talk about intimidation and total paralyzing fear! Help! And, that’s what I got. I selected a company that offered a full range of services that were designed to get authors up on their feet and running toward success. Services covered all aspects of PR campaigns, to websites, and even doing book trailers. These were the items I felt I could use successfully. There are many others offered that I didn’t select. Some authors may not need these extra features. Some don’t need content or copy editing. They are confident in their work and its appearance. Some have relationships with book sellers and can utilize this to set up their own sales strategy. That’s the beauty of it all, use what you need, not what you don’t. One word of caution based on personal experience; don’t be too confident in your work’s appearance, editing or style. After all, we’re the creator and sometimes we’re so emotionally attached we cannot see the faults in our own work. Regardless of experience, get some honest evaluations of your work before going forward into publication.

Regardless of experience, get some honest evaluations of your work before going forward into publication.

For those of us on limited budgets, much can be learned from those who have already traversed this sometimes scary path. Information on what formats are best, to the best prices, to who is reputable can be found all over the net. And that is a good thing. Reading what others have to say about a company, product or service is invaluable. I cannot encourage one enough to do their homework. Check out others’ comments that have used a particular service. Compare packages and prices from company to company. If there are negatives listed, are they ones that would likely impact your project? Even after finding the perfect plan and provider of service for your project, there still is no guarantee there won’t be some hiccups along the way. Just don’t let them distract you from the ultimate goal, sales and recognition of your work.

After getting past this step comes the all important marketing of your product. This is daunting, even for seasoned sales people. I’ve told many others that writing a book and sending it to market is like giving birth to a child and watching him mature and go into the world. It is a personal part of your identity and when it is not received favorably; for whatever reason, it feels personal. Heck, it just plain hurts! Authors have to learn hard lessons in this realm just as others learn hard lessons in the fields they have chosen to pursue. We all have to pull ourselves out of our comfy slippers and flannel robes and go out and face the world and pitch ourselves, uh our work, to strangers.

Although, this is merely a short summary of my experience, I can say, I’m glad I took this route. Are there things I would do differently next time? You bet! Would I do it again? Certainly!

What are your ideas on this subject? What have your experiences been like? What would you do differently next time around? We all have to make hard choices. But, Destiny is in our grasp and we will not snatch defeat from the jaws of victory!

Yes, I would rather have my head in the sand!

Yes, I would rather have my head in the sand!

How maybe to possibly, hopefully, sometime soon, get published!

Nancy Livingstone discusses her book, Against Their Will with host Sue Lucey

Nancy Livingstone discusses her book, Against Their Will with host Sue Lucey

Last week I was the featured speaker at a writer’s festival in our town. While the questions the moderator asked me were about my recently published book, when it came time for audience questions, they seemed much more interested in how I got my book published.

Now, I’m fairly certain there’s not a one of you writers out there that hasn’t given some (okay maybe a lot) of thought to the part about getting your work published. And you’ve probably figured out by now that the traditional way of publishing is pretty much gone, unless you have connections, are a star or have done some outrageous thing that put your name in the headlines and therefore created enough name recognition to carry a book. Unfortunately that leaves the other 98 percent of us out there struggling, trying to determine what to do to get someone to read our number one bestseller. After all, we wouldn’t be writing if we weren’t certain that our story is the best, the most unusual, the most gripping, terrifying, funny and tear-jerking story ever written. Why can’t those publishers see that right away?!

The traditional query to the agent or publisher can still be sent out, however the rate of return on that investment is rarely more than zero. Yes, there are those few who get past the censors and land their manuscript on a decision maker’s desk. That is absolutely the exception and not the rule. The first line of defense in a publishing house are the readers, those who screen through the stacks (physical, but more and more electronic) of queries.  In this case the writer must come up with a good hook, something short, sweet and sums up the story in an appealing way in just two to three sentences. Sadly, even with the best hook ever, some manuscripts are never seen. There are just too many of them for assistants and others assigned the task to determine the fate of those poor souls whose work is siting in front of them. It becomes easier for them to just stick a pre-made little note in your SASE and toss your work in the trash. Some queries land in good hands and may genuinely strike the reader as great material, but the timing is wrong. You’ve written a detective novel, but they’re looking for true detective works. Do your research and send your query to the right house and person. Even though the odds are most often against you, if you believe in yourself and your work, then don’t stop!

If you want to pursue the traditional route to getting your work published, go for it. The key is persistence. Keep at it, even when the rejection slips exceed the storage limit of your email account. It is not impossible to get published going this route, but it is frustrating and sometimes, downright depressing.

Today, most writers are getting creative in their efforts to draw attention to their work. And creative they are. But hey, aren’t writers supposed to be creative? Whatever route you use to get published, you need to generate interest in your work. Your goal is to make readers run to grab a copy of your latest. Next time, I will discuss some ways authors have succeeded in getting their work recognized.

Audience questions

Audience questions

Until then, keep those ideas flowing!